·
03 · Killington World Cup · 2016–22

Fast & Fearless

The biggest women's ski race in North America needed more than a crowd. It needed everyone in that crowd to feel like they belonged in it. So we gave them a sentence to finish.

The Killington Cup — 39K in the frame · a 30→39K three-year climb · NSAA Best Overall Marketing Campaign.
The full story

The biggest women's ski race in North America, turned from broadcast into belonging.

The system — ParticipationA participation system: a World Cup weekend engineered so everyone in the crowd had a role — the race on the hill, the town in the story.

at a glance / the facts
Client
Killington · POWDR · FIS · US Ski Team
Agency
Buttery
Role
Creative Director
Years
2016–2022
Disciplines
Participation campaign · Creative direction
Recognition
NSAA Best Overall Marketing Campaign
Reach
39,000 on the mountain
01The stakes
Building the racecourse on Superstar — snowmaking on the Beast, November 2016.

The race came back East. It came to the Beast.

An Audi FIS Ski World Cup — the first World Cup racing in the East since 1991 — on Superstar, a trail we built into a racecourse in November. Early-season racing needs a course nobody can cancel, and nobody in the East makes snow like the Beast. If the World Cup is coming back East, there's one mountain that can promise it. The longest season in the East is made, not born.

This was the reclaimed Beast delivering on its promise at the highest level the sport has. "The longest season in the East is made, not born" stopped being a tagline and became a place you could stand and watch the best women in the world ski down.

But a World Cup is a rare, elite thing. And the challenge with a rare, elite thing is that it can feel like it belongs to someone else — the athletes, the federations, the people with credentials. The race was the proof the Beast could perform. The campaign's job was harder: make a 39,000-person crowd feel like they weren't spectators at someone else's event. Make them feel like they were in it.

The Killington Cup — the World Cup weekend at the Beast. Footage: Warren Miller · Future Retro.
I AM FAST.I AM FEARLESS.I AM ___.
Fill in the blank. A nine-year-old with a marker completes it one way; a member of the US Ski Team completes it another. Same sentence — same posture, same frame. The prompt doesn't rank you. It includes you.
02 The idea

We gave everyone the same sentence to finish.

“I am fast. I am fearless. I am ___.”

That was the mechanic. Fill in the blank. A nine-year-old with a marker completes it one way. A local ripper completes it another. A member of the US Ski Team completes it a third. But it's the same sentence — which means everyone who fills it in takes the same posture, makes the same declaration, stands in the same frame. The prompt doesn't rank you. It includes you.

Fast & Fearless poster — I am fast, I am fearless, I am ___
The turn the Beast had been building toward
That's the entire strategy. The reclaim gave Killington a personality. MORE claimed the category. And then — as the standards work documented — the brand turned from how much we have toward the human element.
Fast & Fearless is that turn made physical. It's not a campaign about the mountain's superlatives. It's a campaign about the person standing on it, and what they'd declare about themselves if you handed them the words.
Every era of the Beast was a superlative the mountain claimed for itself — biggest, longest, more. This one handed the superlative over. Fast. Fearless. Then a blank line, and a word each person got to claim and stand on. The brand stopped talking about the mountain and started talking with the people on it. A brand is a conversation. This was handing over the other half of it.
And Killington was never a set of specs. It's a community — the locals who never leave, the kids in the lift line, the racers, the 39,000 who showed up. Hand that community the words, and a chance to be the star of the frame instead of the audience for it, and they stop spectating the resort. They start belonging to it. That's the real return. Not more people reached — more people who are ours.
Killington World Cup finish arena — thousands of fans beneath Superstar
I am fast. I am fearless. I am ___.
03The mechanic

The posters ran both directions.

That was the design move that made the idea real. Read one way, the poster made a statement to you. Turned around — bidirectional — it became a prompt for you, a blank waiting for your answer.

The artifact itself performed the whole thesis: this isn't something we're telling you, it's something you complete. The campaign only finishes when the audience picks up the marker. A brand that hands you the last word is a brand that's decided you belong in the story.

And the proof that the framework actually held? Watch who filled it in

Packed Killington grandstand, USA flags flying
Mikaela Shiffrin at the start
Fans and flags roaring at the finish
The podium at the Killington Cup
The poster read both ways — statement, then prompt.
04Who stepped in

The best in the world took the same posture as a kid with a marker.

Five members of the US Ski Team completed the same sentence a nine-year-old would: Lindsey Vonn, Mikaela Shiffrin, Nina O'Brien, Resi Stiegler, AJ Hurt.

Here's the part that matters, and it's a distinction I'll hold hard on: they did not endorse the campaign. They entered it. When Lindsey Vonn ad-libbed her way through the prompt, she proved the framework could flex to a personality without breaking. When Mikaela Shiffrin reframed “fearless” as respect and mastery rather than recklessness, she deepened the idea rather than just repeating it. Nina O'Brien ran the mechanic clean. Resi Stiegler closed the bidirectional loop.

That's not star power lending itself down to a promotion. That's the hierarchy flattening — the whole status range of the event, from a nine-year-old to an Olympian, answering the identical prompt, standing in the identical frame. The names didn't validate the idea. The idea was big enough to hold the names

“They didn't endorse it. They entered it.”
In their words — US Ski Team

They entered it.

Five of the best skiers in the world finishing the same sentence a nine-year-old would.
01 / 05
The Crowd — I am ___.

Everyone else filled it in.

The mountain finishing the same sentence, one word at a time.
01 / 13
Killington World Cup finish arena — thousands in the stands beneath the mountain, a racer carving the gate
05What it returned

The proof isn't a spike. It's a curve.

30,000 in 2016. 35,000 in 2017. 39,000 in 2018.

A one-year spike is a novelty. A crowd that climbs three years running is a brand that held — a campaign people came back for, and brought more people to. The rising line is the number I'm proudest of, because it says the idea didn't just work once; it compounded.

The year-one exclamation point: NSAA Best Overall Marketing Campaign for the 2016–17 cycle — the industry's own recognition, and the writeup praised the campaign's videos as fun, effective, and evergreen. And Killington won the bid to host the race again in 2017 and 2018 partly on the strength of that first year's promotion. The campaign didn't just fill the hill once. It helped keep the event coming back.

One thing I won't claim: the campaign didn't put Shiffrin on the podium — she did that herself, winning the Killington slalom in the event's first four runnings. What the campaign did was make sure that when 39,000 people showed up to watch her, they felt like they belonged on that mountain too

“39,000 showed up — and felt like they belonged on that mountain too.”
40K 35K 30K 25K Campaign · 2016–22 …and it held 30K 35K 39K 39K+ ~40K 2016 2017 2018 2019 2024 2020 canceled · 2021 capped · 2023 relocated
Weekend spectators, Killington World Cup. The campaign years climb 30K → 39K; attendance then held near 40K through 2024. Disrupted years omitted — 2020 canceled, 2021 capped at 10K, 2023 held at Copper Mountain.
Packed Killington World Cup grandstand — thousands of fans, a US flag and a hand-lettered GO MIK sign in the stands
39,000 on the mountain — the crowd that came back.
The payoff — Mikaela Shiffrin wins the first Killington World Cup slalom, in front of the crowd.
30→39K
A three-year climb, not a one-year spike.
NSAA
Best Overall Marketing Campaign, 2016–17.
Bids won to host again — 2017 & 2018.
Zoom out — the bigger receipt

$15–20M
a weekend.

A full mountain isn't a vanity metric. The Killington Cup is one of the biggest economic weekends Vermont has — an estimated $15–20 million over a single Thanksgiving stretch. The campaign didn't move those dollars; it made sure the crowd that engine runs on showed up, and kept coming back.

the breakdown / four ways it pays
Direct spend
Roughly $2–2.5M in direct event spending over the weekend.
Local business
Up to a 200% November lift for some restaurants, lodging, and retail.
Global exposure
Broadcast to 60+ nations, feeding a $1B+ statewide ski economy.
Community
The Killington World Cup Foundation grants hundreds of thousands to Northeast nonprofits.
Figures: Vermont Public · Rutland Herald · US Ski & Snowboard · KWCF
06What it proves

Participation over broadcast. Belonging over spectacle.

A World Cup is the kind of event that can make an audience feel like outsiders at someone else's party. The work was turning that on its head — taking the most elite thing the sport offers and building a campaign that put a nine-year-old and an Olympian in the exact same frame, finishing the exact same sentence.

That's what the Beast's turn toward the human element actually looks like when it's executed: not superlatives about the mountain, but a blank line handed to every single person who showed up, and the confidence to let them fill it in.

And it worked because the people in it were real. The turn Fast & Fearless made physical — from broadcasting at a crowd to inviting every person in it — proved the conviction I've built on ever since: your guests are the most credible storytellers your brand has. They're authentic, they're believed, and given a real way in, they want to be part of the brand. Hand 39,000 people a blank line and they don't just watch — they claim it, and carry the story further than any campaign could push it. Belief like that isn't bought. It's invited.

The story comes first — here, the story was yours to finish. The system is what made sure the invitation reached everyone, from the front row to the back of the crowd

The crowd didn't watch the event. They were the event.
The trophy · Simon Pearce

Even the prize was made by hand.

The Killington Cup trophy is hand-blown crystal, crafted at Simon Pearce in Vermont — molten glass to finished form. A fitting close: a race won on the mountain, its prize made a few valleys over, by people doing the one thing they're best at.

2017 Xfinity Cup trophies, crafted by Simon Pearce.
What it made me

It taught me that participation beats reach — that the strongest brands hand people a role, not just a message. I stopped making things to be watched and started making things to be joined.

Close ✕
Close ✕